Depuis 2006, Al Mawred Al Thaqafy a soutenu le voyage de plus de 200 artistes et acteurs culturels à travers la région arabe à travers le programme Mawa3eed, et le voyage de plus de 30 artistes et acteurs culturels vers des destinations hors de la région à travers le programme Tajwaal depuis 2016.

Culture Resource développe le fonds de mobilité en fusionnant Mawa3eed et Tajwaal dans un programme qui sera bientôt lancé et qui soutient le voyage des artistes et des acteurs culturels de la région arabe vers des destinations dans la région et au niveau international.

Pour plus d'informations veuillez visitez leur site Web ici

 

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Deadline: September, 1^st, 2018 

 

This call is open :

- For artists from all over the world

- All disciplines accepted : visual arts, writings, music, performing arts etc.

- Age : 18 years old 

- For residency in Paris between 2 and 12 months

 

Founded in 1965, Cité internationale des arts welcomes every year more than 1,200 artists from 90 countries in 326 studios in the heart of Paris. Artists from all disciplines but also curators are hosted for residencies that can last from 2 to 12 months.

 

The ambitious project of the Cité internationale des arts is to gather in one place artists from all around the world and to give them the best condition to encourage encounters, artistic crossovers and creativity. It is a place open to dialogue between cultures, where artists meet their audiences and professionals. 

 

Click here to apply 

 

If you have any questions please contact : 

commissions@citedesartsparis.fr 

 

 

 

 

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Symposium : "Towards an Arab dramaturgy" 

Du 27 septembre au 28 septembre 2018 

 

Attention : candidatures en langue anglaise uniquement 

 

Candidatures ouvertes du 16 Juillet 2018 au 23 Juillet 2018

 

Contemporary theatre and performance in the Arabic world is a diverse and contested set of practices that are unfolding in a fast-changing political and culturally complex region.  In this situation, the performing arts are under pressure to independently produce new work, uphold traditions— and simultaneously to speak about contemporary lives, nationalism, class, race, religion, gender and new forms of theatre. In this symposium, we ask how theatre can continue to grow, develop artistically and continue to be a voice in the future of the Arabic world.  How can the theatre in the region thrive?

 

With a focus in this symposium on Arabic dramaturgies, we hope to begin to answer these questions.  As a term that bridges the ideas and practice of contemporary performance, dramaturgy draws our attention to the process of artistic production.  It explores the notion that process is performance and invites us to look at the question of how artists connect ideas and forms in their work.  Dramaturgy also considers questions about the state of the arts.  It enables us to take stock and propose new ideas and creative forms for the future.  It invites conversations between makers and theorists and artists and audiences. In addition, we examine if perhaps there is a new, specific Arabic dramaturgy emerging from all of it.

 

This symposium will feature research papers, artist talks and roundtable events.  We invite contributions on topics including:

 

·         What are Arabic dramaturgies? 

·         Are there specific local and regional approaches to performance and if so what are these?

·         What are the recent trends and issues in contemporary theatre in the Arab world?

·         What are examples that represent a new Arab dramaturgy?

·         Politics and practice: how does theatre in the region work?

·         Questions of gender, sexuality, secularity, class, city, Arabic diversity, ‘others’.

·         Theatre as a source of community, audiences, sub-cultures.

·         Zones of resistance and solidarity, what does theatre do?

·         Tensions and conflicts; ‘occupied territories’ and theatre.

·         Innovation and experimentation. 

·         Theatres of the real.

·         Old forms of theatre and new: plays, performance, new media dramaturgy, dance, poetry, music, ritual.  

 

The organization committee will select papers that will be presented in 15-20 minute sessions during the Symposium next to artist talks and panels. In addition to this, the sessions and papers will be compiled in a publication/book that will be generated from the discussions at the convening.

 

For more information and submission, please mail to: mestc@gc.cuny.edu

 

 

 

 

 

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