{"id":11276,"date":"2023-02-08T13:34:52","date_gmt":"2023-02-08T13:34:52","guid":{"rendered":"https:\/\/www.cimettafund.org\/?p=11276"},"modified":"2023-02-08T13:49:11","modified_gmt":"2023-02-08T13:49:11","slug":"san-gorg-preca-project-2-2-2-2-3-2","status":"publish","type":"post","link":"https:\/\/www.cimettafund.org\/ar\/blog\/2023\/02\/08\/san-gorg-preca-project-2-2-2-2-3-2\/","title":{"rendered":"Benoit Burquel"},"content":{"rendered":"<h4 class=\"nom\"><span style=\"color: #000000;\">Decolonizing Architecture&nbsp;&nbsp;<\/span><\/h4>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-11277\" src=\"https:\/\/www.cimettafund.org\/wp-content\/uploads\/2023\/02\/1497623378_photo-300x219.jpg\" alt=\"\" width=\"300\" height=\"219\" srcset=\"https:\/\/www.cimettafund.org\/wp-content\/uploads\/2023\/02\/1497623378_photo-300x219.jpg 300w, https:\/\/www.cimettafund.org\/wp-content\/uploads\/2023\/02\/1497623378_photo-415x302.jpg 415w, https:\/\/www.cimettafund.org\/wp-content\/uploads\/2023\/02\/1497623378_photo-250x182.jpg 250w, https:\/\/www.cimettafund.org\/wp-content\/uploads\/2023\/02\/1497623378_photo.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><\/p>\n<p class=\"nom\"><strong>Bruxelles \u2192 Bethlehem (2010)<\/strong><\/p>\n<pre class=\"nom\"><span style=\"color: #000000;\">Architecture, Multidisciplinaire<br><\/span><\/pre>\n<p><span style=\"color: #006699;\"><strong>Pouvez-vous expliquer comment cette bourse a contribu\u00e9 \u00e0 la r\u00e9alisation de vos projets d&#8217;\u00e9changes artistiques et\/ou de d\u00e9veloppement culturel local et\/ou de promotion de la diversit\u00e9 culturelle ?<\/strong><\/span><br>L\u2019approche pluridisciplinaire de Decolonizing Architecture sur la r\u00e9alit\u00e9 palestinienne et la diversit\u00e9 des participants (artistes, architectes, paysagistes et anthropologues) ont \u00e9t\u00e9 particuli\u00e8rement int\u00e9ressantes dans cette exp\u00e9rience. La r\u00e9sidence a \u00e9t\u00e9 le lieu d\u2019un travail collectif de recherche et de projets sur la complexit\u00e9 politique et sociale de la Palestine. De plus, le positionnement de Decolinizing Architecture \u00e0 la crois\u00e9e des projets architecturaux, des interventions artistiques, de l\u2019activisme social et de la recherche conceptuelle est, \u00e0 mon avis, particuli\u00e8rement int\u00e9ressant dans une telle r\u00e9alit\u00e9. Enfin, l\u2019ensemble de notre travail sera expos\u00e9 lors de l\u2019exposition The Red Castle and the Lawless Line \u00e0 la galerie 0047 \u00e0 Oslo \u00e0 la fin du mois de septembre 2010.<\/p>\n<p><span style=\"color: #006699;\"><strong>Qu&#8217;apportent l&#8217;\u00e9change, les r\u00e9seaux et les contacts \u00e0 l&#8217;international pour le d\u00e9veloppement de votre activit\u00e9 artistique ou culturelle ?<\/strong><\/span><br>Ces r\u00e9seaux et contacts sont \u00e0 la base de mes recherches et travaux artistiques et architecturaux. Outre les \u00e9changes sur des probl\u00e9matiques concr\u00e8tes diverses, je suis particuli\u00e8rement int\u00e9ress\u00e9 par le travail collectif qui peut \u00eatre le fruit de ces confrontations. En plus de la dimension interculturelle qui nourrit les travaux de chacun des intervenants, c\u2019est bien le processus de cr\u00e9ation collective, souvent partiel et partial mais riche et complexe, qui m\u2019int\u00e9resse.<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suspendisse odio lorem, iaculis ut turpis eu, malesuada ullamcorper mi. Maecenas interdum malesuada mauris, quis tempus purus varius eu. Duis venenatis, neque ac faucibus luctus, lacus enim fermentum ipsum, vel cursus erat libero ac neque. Proin ultrices, lectus eget tempus auctor, lectus mauris cursus orci, at varius justo sapien et tortor. Nullam congue accumsan dui, sed tempor mi posuere eget. Cura bitur vitae magna vel risus congue interdum non ac dolor. Mauris nisl augue, iaculis quis efficitur ac, aliquam eget tellus. Sed sed arcu quis nibh.<\/p>\n","protected":false},"author":122,"featured_media":11277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-11276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-communaute"],"_links":{"self":[{"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/posts\/11276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/users\/122"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/comments?post=11276"}],"version-history":[{"count":3,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/posts\/11276\/revisions"}],"predecessor-version":[{"id":11288,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/posts\/11276\/revisions\/11288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/media\/11277"}],"wp:attachment":[{"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/media?parent=11276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/categories?post=11276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cimettafund.org\/ar\/wp-json\/wp\/v2\/tags?post=11276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}