RCF/Valletta 2018 open call for travel grants

Roberto Cimetta Fund and Valletta 2018 see freedom of mobility as essential to the development of the arts and strongly support the right of the artist to travel freely. In the context of Valletta’s title of European Capital of Culture 2018, where Valletta is physically and culturally a crossroads and meeting point in the centre of the Mediterranean, this fund aims to aid mobility, communication, collaboration and exchange between diverse cultures and to contribute to local, community participation in the arts in the broader context of the Euro-MENA geographical zone.


The application for mobility must directly address one of the three themes of Valletta 2018 European Capital of Culture's cultural programme, these being Island stories, Future baroque and Voyages and must involve a Maltese partner or have a tangible link with Malta. click here to read more


The first call is launched today 1st March 2018 for one month. Artists and cultural operators living and working in the Euro-MENA region who wish to undertake collaborative projects and who satisfy the criteria below are invited to apply.

For the general criteria please click here

To apply please click here


Applications can be made in Arabic, English or French.



RSS: “Me, Europe” (Ich, Europa) Call For Participation


For a new theatre production at the Schauspiel Dortmund, in Dortmund, Germany, we are looking for playwrights and authors from North Africa and  the Middle East. The opening of the production called “Me, Europe” (Ich, Europa) is scheduled for mid-October 2018.


“Ich, Europa” (Me, Europe) recounts the 1.400 years filled with stories of  love and hate between Orient and Occident, between Muslims and Christians – in a perspective which is foreign for a Western European audience. 13 male and female writers (from Turkey, Kurdistan, Iraq, Iran, Lebanon, Syria, Jordan, Palestine, Egypt, Libya, Tunisia, Algeria, Morocco) let the persona of Europa speak (which will be embodied by our entire actors’ ensemble).


We are looking for authors who are willing to write a formative historic experience about this relationship in a three to four page monologue. 



For more details, please contact Michael Eickhoff (meickhoff@theaterdo.de)



RSS: Creative writing residencies in Belgium -MOPHRADAT

Mophradat has a rolling open call for bespoke residencies in Brussels for writers from the Arab world in 2018 and 2019. Lasting for a period of 6 weeks for each selected writer, the residencies are intended to provide an opportunity to focus on a specific writing project.


Application deadline: 15 April 2018

For more information click here



RSS: Al Mawred Al Thaqafy - Cultural Policy Program


Al Mawred Al Thaqafy announces an open call for projects that aim to develop or change cultural policies on the local or regional levels in the Arab region. Applications are received from institutions / individuals / groups from all Arab countries.


Deadline: 12 April 2018

Read more



RSS: NORA Artist— in—Residence Program for refugees exiled in France [Call for projects 2018]


Initiated in 2016, NORA program has hosted eleven artists from the Middle East in French Cultural centres for several months. Taking part in NORA program helped them to connect with various professional structures working with poetry and visual arts. Some of them managed to publish their first book, others were able to continue to create, make exhibitions, animated films. 

The call is aimed at artists, researchers and culture professionals from Near and Middle East and from Africa, who have recently received a refugee status in France. The following countries will be examined in priority: Syria, Iraq, Libya, South Sudan, Eritrea and Yemen. 


Deadline: 23 April 2018

For information on the project click here




RSS: Create Syria: A project to empower Syrian art in exile - 2nd edition


A project in partnership between the British Council and Ettijahat-Independent Culture and in collaboration with Mimeta, that seeks to increase the capacity of artists to contribute to the development of stronger, more cohesive communities through the design and delivery of high-quality community arts initiatives. The project will support artists to build their technical and artistic skills in community settings through providing a tailored training, local and international peer-to-peer networking opportunities and seed funding for the implementation of innovative community arts initiatives.



Application deadline: 22 April 2018

For more information click here



Ferdinand Richard on "The Impact of Culture"


Introductory speech by Ferdinand Richard, Chairman of the Roberto Cimetta Fund during the Final Conference of the Southmed CV programme "The impact of Culture in the Southern Mediterranean Region" Amman, 1-4/12/2017.



Ladies and Gentlemen,


In order to consider Culture as the vector of development in the Southern Mediterranean region, I would like to recall five evidences:


1 - In our shared space, we are today facing an on-going attempt to re-nationalise Culture and Arts. Culture and Arts are now considered an ultimate tool for national sovereignties, a branding device for smart cities, a communication tool for mass-tourism. A growing consequence of this is the festivalisation of Culture, the reduction of critical narratives and experimentations, self-censorship… All in all, independent producers are more often considered as unsustainable sub-contractors surviving thanks to the accumulation of rapidly forgotten "projects". Our salvation depends on nothing else than re-inventing our "trajectories" in a shared political space, beyond the dictatorship of nationalisms.


2 - We take good note that the growing political divide nowadays has its roots in the falsification of History, in any region of the world, here as well. Although it is never 100% achieved, Art as a witness for truth has an immense responsibility.


3 - We ought to project ourselves in the future, refusing the dictatorship of immediacy, and look for long term multi-level solutions. The MENA region knows full well that sometimes quick solutions turn into long term problems.


4 - We acknowledge that the notion of common good is wide, transversal, holistic and flexible. It is an on-going construction process. There is no dogma on what common goods are or should be. As indicated in their name, common goods belong to everybody and to no one person in particular.


5 - We move in multiple and administratively overlapping spaces, which in many ways no longer respond to the classic neo-colonial approach of the so-called Euro-Mediterranean space. The Arab cultural world is far larger than the Mediterranean Sea, and it cannot be considered isolated from the entire Middle East. What is happening today in Saudi Arabia, Iran, Turkey, Kurdistan, etc... is evidence of this.


Therefore, an attempt to express some medium and long term tendencies in economy, in politics and in the humanistic sphere is necessary:


a) Economy:


a1) Agile, flexible, transversal, multi-functional light-weight content industries will replace vertically-organised heavy-weight ones.

According to many specialists, content industries (multi-media, internet, communication, leisure, culture and online education) may become the first economic asset in the world in the next 50 years, following the decline of fossil fuels. Some petrol states have already begun to launch initiatives in this perspective. Global investment funds are already spending huge sums; for example, Providence Equity Fund published on their website, a plan to invest 50 billions dollars in global media, education and culture (they are already the owners of Warner). These global players are already attempting to rule our game.

However, this also means that funds dedicated to Culture will increase and thus, paradoxically, agile, hyper-active networks of lighter content industries, running on peer-to-peer relationship models, will be able to strengthen their new markets since these will not be considered interesting enough financially by what I call "the monstrous military-industrial empires". These lighter content industries will still keep their leadership on R&D, on innovation, on creativity, but they have to quickly organise their independence from the big heavyweight industries. In this regard, skilled negotiators in the Cultural sector will be highly necessary.

Contrary to the heavyweight industries, these smaller, multi-lateral, instant, horizontal networks of lightweight industries will facilitate inter-cultural dialogue.


a2) The nature of mass-consumption (of which mass-tourism is the most visible aspect in the Med area) and its requirement to constantly be at its maximum efficiency, drives it to separate individuals into different categories up to a point which becomes hard to stand for human beings. The generation gap is a direct consequence of marketing consumption, city planning is directly linked to gentrification, women still have a lot of difficulties to have their human rights respected, etc... Mass-consumption is not only a threat to the environment, it is also a direct threat to intercultural dialogue. More than ever culture, as a platform for dialogue is an utmost priority.

Soberness as a personal form of behaviour as well.


a3)  The notion of ethical capitalism, which is by the way directly placed at the intersection of religions and secularism, remains marginal when confronted to profit maximisation. In the current context of global negotiations on economy, ethical capitalism still remains an intellectual speculation, and the absence of ethics in economy has a direct effect on the religious question, including in the most violent theatres of conflict. Censorship is not only political, it is also produced by some forms of economy. Who today is the guardian of ethics, of freedom of expression, of freedom of creation? The legitimate desire of inter-cultural dialogue forces us to re-consider the restrictive control imposed by wild ultra-liberalism.        


b) politics:


b1) The influence of cultural (and cultual) zones is gradually replacing the national borders, for the best and for the worst.  Trapped in a very old-fashioned "block-against-block" strategy dating from former centuries, the traditional competition between nations is being replaced by the instrumentalization of cultural differences (very often disguised under the term "cultural diplomacy"), by a so-called "shock of civilisations" which is more and more successful, although it is nothing else than a new make-up on the face of nationalism. In MENA region, after the apparent decline of colonial powers, some new regional or religious heavyweights try to occupy the empty chair, become more aggressive, more radical, gain more influence, although the constant and never-ending pressure of the US, Russia and the EU is still there, under new forms. Do these regional powers consider intercultural dialogue as an essential tool for peace? Do they even consider peace as their number one objective? Or do they prefer their expansion?

No culture, no dialogue... No dialogue, no peace... No peace, no business... War is the business... 


b2) Asia shows a growing interest for Africa and the MENA region. The centre of the world has shifted, from the Mediterranean to the Atlantic, and now from the Atlantic to the Pacific. Interestingly enough, we Arabs, Europeans, Middle-easterners, do not know that we are collectively seen from China as a single coherent cultural entity, with a common heritage, a common, original religious frame, and somehow common genetics. Is this reciprocal? Do we show interest in the other regions of the world? If yes, what are we collectively interested in? Social models? Market development? The exotic? Spiritualism? Can we collectively address the rest of the world? Isn't the rest of the world expecting us?


b3) hybridation/integration/assimilation

Beyond the fascinating and on-going research of "Cultural Base", a joint programme led by the Universities of Barcelona and Glasgow, the remaining and long-lasting question is: Who is integrating who? Who is assimilating who? What level of hybridisation is compatible with Cultural Diversity?


c) the human factor:


c1) Whatever happens, the Europe of the younger generations, including the ones of immigrant origin, will be based on and will affect the Europe/MENA region relationship. What we can witness today is not the withdrawal of the European dream, but the somehow painful, often anticipated beginnings of a positive transformation, which requires that every single individual living in Europe redefines his/her position towards the rest of the world. This also includes the re-balancing of another north/south-periphery/centre unfair deal, the one internally affecting Europe, between its north and its south, which, by a domino effect, is also weakening the relationship between Europe and the MENA region.  The future partners of the younger generations in MENA region are everywhere in Europe, not only in the capital cities.


c2) Whether virtual or physical mobility, the peer-to-peer, transversal, universal approach does not comply with the notion of a one-way, no return ticket.

The "golden triangles" of Art and Culture (for example London/Amsterdam/Paris) are the geographical bases of the empire. They concentrate all the tools of the cultural power. They behave towards the creative youth of the peripheries as magnets. The brain drain effect is their worst consequence. It deprives local communities of the return on the expensive investment that has been made in the education and capacity building of their youth. It prevents the creative youth from participating in the development/reconstruction of its own community, and, on a not-so-long term, it fuels an unfair imbalanced situation, which incidentally nourishes europhobia inside, and xenophobia outside.

Everywhere in the world this "golden triangles" syndrome is growing. It is also the fruit of modern global planning politics.

Local development is the condition for a fair international relationship, the individual is the engine of this development, with his/her cultural and intellectual assets. Mobility is first of all an affair of local development, and cannot be reduced to a small cohort of smart people living in airports. It concerns first of all your ability to share the benefits of your trip with your community when you go back home.  I believe that the future of the world will be made of an organic network of multiple peripheries. Peripheries are the multiple sources of knowledge, since knowledge is not the priviledge of a few scientific centres wherever they may be, including in the Euro-MENA region.


As a conclusion, I would refer to article 1 of the Universal Declaration of Human Rights:

"All human beings are equal in dignity and in rights".

In my understanding, to be equal in dignity means that there cannot be any dominating Culture.


I thank you for your attention. Ferdinand Richard




RSS: Walking Art / Walking Aesthetics: Call for papers and art projects | INTERARTIVE


This Call for Papers and Artistic Projects intends to record the history and the potential of walking as an art practice. The procedure of walk has been developed as an art practice from the beginning of Modernism. Since the '60s however it has become an established form of art expression.


Deadline: 31st May 2018

For information on the call for papers click here



RSS: Sharing the Legacy conference 24 — 26 October 2018 Valletta, Malta


The fifth Valletta 2018 Foundation annual conference encourages broad reflection on the central issues that define urban life by channeling its discussions through the basic question of “What makes a city better?”. This reflection aims to understand how cities can be shaped to better suit the needs and desires of the individuals and communities that it hosts, whether on a permanent or temporary basis. 


Deadline: 29 March 2018

For information on the conference click here



RSS: Tandem Shaml 2018-2019


Twenty-six cultural managers from Europe and the Arab region will be chosen to join the next round of Tandem Shaml. The one-year Tandem programme, in the spirit of ‘Doing-it-together’, gives cultural managers a space to experiment with multidisciplinary project ideas and inventive approaches to create change in our societies through culture.



Deadline for application: 29 March 2018

Read more



RSS:Mass Alexandria (Egypt) and the VAA Nida Art Colony (Lithuania) Open Call for Residency


For Egyptian artists: 

Nida Art Colony of Vilnius Academy of Arts (NAC) and MASS Alexandria invite artists from Egypt to apply for a two-month studio residency at NAC in Lithuania. The residency is complementing the activities of the project 4Cs: From Conflict to Conviviality through Creativity and Culture. Participating artist are expected to focus on issues of conflict, rootless communities, migration, displacement, and ways of making unfamiliar territories your own, conviviality, identity and related experiences. There are no limits on time or geographical area if the artist choses to work on specific historical events.


Deadline: 15 March 2018

For more details and for the artists’ application, please visit NAC website



RSS: Villa Seurat Foundation Call for projects



The Villa Seurat Foundation seeks to create bridges between worlds that rarely meet, to expand the scope of artistic creation by addressing vulnerable people who do not have access to art for economic, cultural or social reasons.

These projects will be « social sculptures » (Joseph Beuys), in which the gaze of the artist(s) and that of each person in the group will encounter and echo one another in the space of creation, sharing and transmission of this artistic dialogue.

This call for projects is directed to artists (one or several artists in the case of a collaboration or an artist collective), regardless of their nationality and place of residence.


Deadline: 24 March 2018

Find all details online



RSS: The next generation 2018: Prince Claus Fund


Stimulating young people to work towards an open, inclusive society through arts and culture, The Prince Claus Fund announces a new Call for Proposals: the Next Generation 2018. The Fund will support one-year initiatives by and for young people that inspire them to contribute to their societies in ways that make them more inclusive and accepting of differences. The programme is designed to create safe spaces for young women and men where they can explore the possibilities of different stories or alternative narratives that allow them to imagine different ways of being. 


Deadline: 16 March 2018

To read about the Call for Proposals click here



Roberto Cimetta Fund

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